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Admission Tests GRE Exam Syllabus Topics:
| Section | Objectives |
|---|---|
| Analytical Writing | - Analyze an Issue task |
| Quantitative Reasoning | - Arithmetic, Algebra, Geometry - Data Analysis and Problem Solving |
| Verbal Reasoning | - Text Completion - Sentence Equivalence - Reading Comprehension |
Admission Tests GRE General Test Sample Questions:
1. 
A) The two quantities are equal.
B) Quantity B is greater.
C) The relationship cannot be determined from the information given.
D) Quantity A is greater.
2. Writing for the New York Times in 1971. Saul Braun claimed that - todays superhero is about as much like his predecessors as today's child is like his parents." In an unprecedented article on the state of American comics,
"Shazam Here Comes Captain Relevant. Braun wove a story of an industry whose former glory producing jingoistic fantasies of superhuman power in the 1930s and 1940s had given way to a canny interest in revealing the power structures against which ordinary people and heroes alike struggled following World War II Quoting a description of a course on Comparative Comics" at Brown University, he wrote, 'New heroes are different-they ponder moral questions, have emotional differences, and are just as neurotic as real people.
Captain America openly sympathizes with campus radicals.. Lois Lane apes John Howard Griffin and turns herself black to study racism, and everybody battles to save the environment."" Five years earlier. Esquire had presaged Braun s claims about comic books: generational appeal, dedicating a spread to the popularity of superhero comics among university students in their special 'College Issue." As one student explained. "My favorite is the Hulk. I identify with him, he's the outcast against the institution.'1 Only months after the NW York Times article saw print. Rolling Stone published a six-page expose on the inner workings of Marvel Comics, while Ms. Magazine emblazoned Wonder Woman on the cover of its premier issue-declaring s Wonder Woman for President'' no less-and devoted an article to the origins of the latter-day feminist superhero.
Where little more than a decade before comics had signaled the moral and aesthetic degradation of American culture, by 1971 they had come of age as America's "native art::: taught on Ivy League campuses, studied by European scholars and filmmakers, and translated and sold around the world, they were now taken up as a new generation's critique of American society. The concatenation of these sentiments among such diverse publications revealed that the growing popularity and public interest in comics (and comic-book superheroes) spanned a wide demographic spectrum, appealing to middle-class urbamtes, college-age men. members of the counterculture, and feminists alike. At the heart of this newfound admiration for comics lay a glaring yet largely unremarked contradiction: the cultural regeneration of the comic-book medium was made possible by the revamping of a key American fantasy figure, the superhero, even as that figure was being lauded for its realism"" and social relevance."" As the title of Braun's article suggests, in the early 1970s, "relevance" became a popular buzzword denoting a shift in comic-book content from oblique narrative metaphors for social problems toward direct representations of racism and sexism, urban blight, and political corruption.
Which of the following best characterizes the relationship between the first and second paragraphs?
A) The first paragraph characterizes a phenomenon; the second offers two alternative explanations of that phenomenon.
B) The first paragraph establishes a framework: the second relates a specific case to that framework
C) The first paragraph describes a trend: the second analyzes that trend.
D) The first paragraph introduces a problem; the second discusses a possible solution to that problem.
E) The first paragraph presents an account of a phenomenon: the second questions the validity of that account.
3. As originally formulated, the selfish-herd theory of prey species aggregation assumed that predatory attacks were equally likely to be launched from any position within the environment. In some circumstances (e.g..
avian predators attacking prey from above), such an approach is appropriate. However, as James et al. argue, in many predator-prey associations, attacks are unlikely to occur from positions within the group. For example, it is likely that an ambushing predator waiting in the path of a group would be detected before the group moves over its position. Hence, in many ecological situations, predatory attacks on grouped prey will occur exclusively from outside the group. In such circumstances, there is a strong premium to a group member in being in the interior of the group.
James would most likely describe the original formulation of the selfish-herd theory as
A) insufficiently attentive to the diversity of predator-prey associations
B) completely untenable in its explanation of predator-prey associations
C) problematically neglectful of the cooperative elements of predator-prey associations
D) excessively concerned with the outcomes of predator-prey associations
E) ill-equipped to explain exceptions to standard predator-prey associations
4. People who come to believe false rumors often do so quite (i)_________in the sense mat their new belief (ii)_________their existing knowledge. This problem is especially acute on the Internet. Rumors often arise and gain traction because they fit with, and support, the prior convictions of those who accept them.
A) substitutes for
B) cynically
C) detracts from
D) coheres with
E) rationally
F) tentatively
5. The poet Paul Laurence Dunbar (1872-1906) was the premier Black writer of poetry that used the dialect of rural African Americans of the southern United States. Although Dunbar's works were both popular with readers and acclaimed by literary critics during his lifetime, after the First World War a radical shift occurred, at least in critical opinion of his poetry, and twentieth-century critical evaluation of his work has been generally negative. Some critics attacked his work on social grounds for failing to challenge plantation stereotypes of African Americans. Other critics, such as the poet James Weldon Johnson, argued from aesthetic grounds that dialect poetry in general was too limited as an artistic medium, and capable of producing only two effects: pathos and humor. The negative critical trend only began to reverse itself in the
1970s, when scholars began to emphasize the importance of mythic, psychological, and historical dimensions of Dunbar's works, focusing on the interior and exterior realities of African American life after the Civil War.
Which of the following can be inferred from the passage concerning scholars' use of mythic, psychological, and historical considerations in evaluating Dunbar's works?
A) Such use supports the claim that Dunbar's poetry was aesthetically more limited when written in dialect.
B) Such use disputes the claim that Dunbar's work failed to challenge plantation stereotypes of African Americans.
C) Such use challenges the claim that dialect poetry is well suited to producing effects of pathos and humor.
D) Such use suggests that the initial reception accorded Dunbar's poetry may have been too positive.
E) Such use suggests that earlier twentieth-century evaluations of Dunbar's poetry may have been too negative.
Solutions:
| Question # 1 Answer: C | Question # 2 Answer: B | Question # 3 Answer: A | Question # 4 Answer: D,E | Question # 5 Answer: E |



